Pat’s Tats has been a mainstay tattoo studio in upstate New York’s Hudson Valley for over two decades. The all-women tattoo artist studio recently moved into a new location in Kingston, NY. This video captures that transition, featuring an interview with shop owner Pat Sinatra, a tattooist for over 36 years.
Marisa Kakoulas is a Brooklyn based lawyer who has written books on tattoo culture. She writes the blog http://needlesandsins.com, which provides audiences with the latest tattoos news. In this video, she overviews a few legal points about tattoos and employment discrimination.
Covered will be screening at John Jay College of Criminal Justice on February 28, 2013, from 1:40-3pm in room 520.14T. Following the screening, there will be a presentation about the upcoming book, Covered Women, which is based on he documentary. View the facebook invite here. 445 West 59th Street, New York, NY.
I was able to spend some time with my buddy Phil Padwe, author of children’s book Mommy Has a Tattoo, while at the United Ink Tattoo Convention on Long Island, July 2012. Check out more pictures here. I didn’t cover the convention as much as I expected to, as I got caught up talking with Phil mostly, but Marissa wrote about the convention on her blog.
Tattoos are now considered mainstream, with an estimated twenty-five to thirty percent of all adults having at least one. Reality television and the fashion industry have immersed the mainstream American living room into tattoo culture. And more people than ever are getting tattoos—especially women. According to tattooists, women now comprise over fifty percent of all clientele! While Miami Ink and LA Ink are making the tattooing experience assessable to the public, the tattoo community reminds us that it is still television, with all its misrepresentations, distortions, and exclusions. Covered Women: Navigating the Social Stigma of Ink goes beyond the superficiality of reality television and describes the experiences and social context of heavily tattooed women via empirical sociological research. Covered Women will appeal to a mainstream audience captivated by tattoo culture, students, social scientists, and the curious.
While there are books and academic articles on the practice of tattooing, these writings cover limited and stereotypical areas: indigenous cultures’ use of body modification, criminal and gang related tattooing, psychological disorder literature, photography books, and the history of men in tattooing. Covered Women is different. Covered Womendescribes the contemporary American tattooing community, women’s tattoo narratives, social reactions, provides historical balance, and includes stunning photographs.
Covered Women’s main objective is to present the experience of heavily tattooed women: their love of ink, their imagery selection, their experiences of prejudice from strangers, family, employers, and impacts of media representations. While other books and media focus exclusively on the tattoo designs, Covered Women takes a macro-sociological approach to understanding heavily tattooed women in society as they struggle with gender norms, employment discrimination, family rejection, and social stigma. Women’s experiences within the tattoo community are so very rarely mentioned within tattoo books; therefore, a book devoted to their place in this subculture is imperative. Covered Women is based upon five years of ethnographic research in the United States’ tattooing community. Utilizing participant observation, interviews, and visual sociological artifacts (photography and documentary film)—this book provides an insight into the world of women and tattooing—the only book based upon such in-depth, empirical, nationwide, and visual research.